|
The "Shard" |
Architecture
Do we make
as much fun of buildings we don’t like as the British do? Do we have the same number of
silly-looking buildings? No and no–or rather, I don't think so. On the other hand, we don’t
have as many you can point to and say, wow, that’s wild! It’s
been a good 15 years since we were in London, pre-millennium, before many of
the physical changes in the cityscape, the most obvious being the millennium
wheel (14 years ago right there). Now we have the "Shard" (tallest in all
Europe!), the "Gherkin" and the "Wurlitzer", plus one in progress (droopy, like it wants to bend over, the “Accordion” I
think it's being called). I kind of like the Shard. The wheel is okay, too, although I can’t
say I was eager to ride it–a whole hour in a capsule for a single revolution.
|
In the center the "Gherkin" protrudes; to its right, the "Accordion" as yet incomplete
(If the "Gherkin" were in the US I think we'd call it the "Bullet," as that's where our minds are at.) |
|
The building with the ramp in the middle is intended to evoke a sailboat. |
Then
there’s the National Theater where we saw a terrific “King Lear” on our final
night. The theater’s not exactly
new (1977!) but we missed it completely on earlier visits. Brutalist architecture–in more ways than one. The numerous ramps and protrusions
offer a challenge to figure where the entrance is.
Inside as well as out all is gray, massive and gloomy, like a Soviet-style mausoleum. Amid these stark surrounds the Terrace Restaurant inside has the vibe of an old high school cafeteria. The first thing a person says when
you stop to ask directions is how hideous the architecture is. “A clever way of building a nuclear power station in the middle of London without anyone objecting,” Prince Charles quipped when it opened. One imagines big time architects in the UK to be an arrogant lot. Maybe I just don't get it.
|
The National Theatre (stock photo; I couldn't have found this angle unless I was in midair.) |
A
river trip to Greenwich, an excursion that we hadn't made before, revealed much new construction along the Thames banks. Each apartment house appeared to be outdoing the other in terms of architectural style or novelty. One had
penthouse apartments hanging over the rest of the building. (How would you like to be on one of those balconies?) Another was designed to resemble a
sailboat (albeit a heavy one, engendering much mockery), while several others had
braces? swords? buttresses? reaching from top to bottom to liven things up. Some were pretty cool, warehouses turned into residences.
|
Apartments with hanging penthouses |
Other Changes, and
Not
|
The Rose Garden in Hyde Park |
So much
was the same, or better than before. It was lovely, amazing really, being
there in sunny and warm weather.
Everyone was out and about.
The streets were jammed day and night, but especially at night. Portobello Road on a Saturday morning
was crazy crowded. The Tube was
crowded at every hour. (I love the
Tube. Funneling from one line to another–up,
down, around and through–I felt like a hamster.)
|
There still are eels with pie and mash |
|
Or eat at Rules for the sake of tradition |
Food was excellent. Many of the pubs are now called
"gastropubs." Prices, though, are like £'s masquerading as $'s.
That is, the prices look like $, and then you gasp when you realize £
means 60% more. Food servers, hotel workers, and other service jobs
are now most often Eastern European. And
of course, ethnic restaurants at all levels of cuisine, haute and low, are everywhere. Where else, outside of Turkey, but in a
little alley in Shepherd’s Market in Mayfair, could Ken get the full Turkish
barber experience extended over an hour and a half that included old-style razors, hot towels, massage (head,
neck, arms) and ear hair singed with flames.
|
And the pubs.... |
|
...are busy around 6 o'clock on weekdays |
|
The Strand, crowded on a lovely Saturday night |
In the British
Museum
An article
about a major Viking exhibit at the British Museum was partly what got us to London. The BM also has an outstanding collection
of early Anglo-Saxon finds, unearthed hoards, that we looked at first. They, like the Vikings, had cone-like helmets and
huge brooches in the shape of a circle with long pin inserted through it. The Vikings
as we usually think of them are such a cliché–all that raping and
pillaging. In fact they were actually
wide-ranging traders, and farmers to boot.
(Forget those silly horned helmets–only a 19th century
re-imagining.) Viking women were thought to have had special powers, and
some were regarded as sorceresses–iron wands were buried with them in positions that signified importance.
|
Viking style helmet, only this is Anglo-Saxon |
When you
exit the Viking tour you are ushered into a gift shop–what else?–one created especially for this exhibit in an obscure corner of the museum, making a total of about
three or four gift shops in all. Ken,
in full Norse mode (it’s in his DNA), gathered up what seemed like thirty
pounds of books. We were finally
done shopping when he abruptly turned, dumped the whole pile in my arms saying
he needed a bathroom, and shot out the door. For ten minutes I struggled to hold onto everything and my
own stuff until I found a collapsible shopping bag they supplied to put it all
in. I was so weighed down I couldn’t move. Every time I put the bag down it collapsed and the books
fell out. So I waited. And waited. I realized then he might not be
coming back. At that moment this was me:
|
(Painting at the Tate Modern) |
First I had to
get loose of the weight. I paid for what I deemed the best of the books, dumped the rest,
and took up a post just outside the gift shop door. There were four
directions Ken could have disappeared into: a staircase, two corridors and an
elevator. I didn't dare move. Half an hour went by. He could
have gone anywhere; there were toilets in several directions. An hour
went by. He emerged from none of the directions. There was no cell
service. And, anyway, he had no phone.
Staying
put was getting me nowhere. I figured I'd better start looking. I checked the museum map to find out
where I was. The BM has an immense
two story round structure in an atrium by the museum entrance. There's a gift shop there too. It wasn’t
far. The atrium was the simplest
place to look without getting lost myself. The alternative was to go
back to the hotel and assume he would do the same. I had visions of a missing persons call to the police. Notices in the paper. I circled the atrium. Everywhere–men with white hair and
beards! Where did they all come
from? Then, among the throng, there he
was! He had been walking around, and around, very, very slowly, figuring (hoping?)
I would eventually come to the same place to get out. Well, I did, didn't I.
Next time we make a plan. Just in case.
No comments:
Post a Comment